No wonder there was such an audible collective audience gasp of empathy. Sharing the experience so widely, perhaps not. Given the audience demographic, losing a parent was relatable. They’d now be the 1pm in that old school chapel. And then more about his mum and dad.Īnd then, very late in the show, he said his mum had died just two days beforehand. About his brother and a cousin Lucy who he’d long ago written a song for. About his parents, who’d been together for as good as ever. Sign up for our rundown of must-reads, pop culture and tips for the weekend, every Saturday morningīetween songs he bantered a lot about family. He’d have ‘til 1pm, he was told, when there’d be a funeral in the chapel. On one such visit he was granted access to his old school’s grand piano in the chapel, so he could practice back catalogue tunes ahead of a looming trip to London. She’d been diagnosed with a terminal illness a few years ago, had outlived the nine-month prognosis and he’d wanted to spend as much time as possible with her. He spoke early in the concert about his mother and how he’d visited her at home in Perth as often as possible since the pandemic lockdowns. The anticipation among punters was for the trademark unique combination of light and erudition that has become this beloved entertainer’s hallmark over decades. Levity and, yes, sage, calm perspective, was certainly in order. The crowd late last week at Sydney’s majestic, beautifully ornate State theatre was ready to be entertained by composer-musician-singer-comedian Tim Minchin.
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